Tag Archives: media

BBC Ripping Off Flickr Photographers?

It seems the venerable bastion of public-funded media, “Auntie” BBC, is being a bit naughty when it comes to sourcing photography from Flickr users according to Editorial Photographers UK

Mark’s or Sparks’ clever wheeze was to sign up with the photo sharing site, then attempt to persuade his new friends to hand over their work to the Beeb – for free naturally. Of course there’s nothing new in cheapskate editors scouring Flickr for freebies. And the Beeb has excelled in its pursuit of license payers for free content for its viewers’ galleries, all under the terms of an infamous contract that allows the BBC to earn money from the pictures while placing any uncomfortable legal repercussions firmly on the contributor. But the Sparks scam has a whole new spin to it. He doesn’t just want pictures for the viewers’ gallery; nor is he asking if he can use existing material to illustrate BBC stories. He wants people to agree to give him unfettered access to all future material that might be posted on Flickr, thereby creating a constantly updated pool of images that the BBC could access at any time for free, and of course resell at a profit. A picture library for free in fact.

.. it seems also they are not above just taking what they want either …

But oh dear, what’s this then? Why, it’s a picture lifted without permission and used on the BBC Scotland news website! It’s not as if Sparks and Co couldn’t have asked. The original image had an almost indecent amount of copyright and contact information, not only in Photoshop’s File Info, but underneath it on the website where it was first published. Presumably BBC Scotland work at such a fast pace they simply can’t keep up with the number of pictures they lift without permission.

You can see how a photographer would be flattered and would be willing to offer up their work just for the portfolio/resume potential and bragging rights. The BBC though should be above this kind of thing, they should be leading the way in fair treatment of the public as they are supposed to be there to serve the public. They will get nowhere arguing they are under funded, they are certainly well funded in comparison to other media outlets who do pay and are not propped up by a television tax.

Personally I see nothing wrong with the BBC asking for free contributions. The pictures are submitted voluntarily after all. They just need to get their legal people to be a bit more fair with what they have people agreeing to.

See the full discussion at flickr here

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Photographer Ethics: Should the camera never lie?

Two stories about Newspapers “doctoring” images, one laughable, the other more serious from The Digital Photography Weblog

the Charlotte Observer has sacked a staff photographer for altering the colour of an image to, as he states, “to restore the actual color of the sky”. He said the color was lost when he underexposed the photo to offset the glare of the sun.

OK this is plainly ridiculous, the “truth” of the story was restored by this superficial change, who cares what colour the sky was though really? So either way, an over reaction right? How about this one …

The Miami Herald’s Spanish-language sister paper acknowledged Friday that it manipulated two photos to make it appear that two Cuban police officers were ignoring prostitutes gesturing to a tourist.

In this one the image was intentionally created to show a false impression of Police neglect of the prostitute problem. As far as I can tell this photographer was not sacked.

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Photographer Ethics: Photo Opportunities and Propaganda

An interesting piece from photo journalism professor Dennis Dunleavy about the photographers dilemma when photographing staged events

something that I have encountered many times in my own career – is that many photojournalists forget about how the event is “staged” for the camera before hand. Many photojournalists, myself included, tend to get caught up with “getting the picture” and do not generally indulge in evaluating the moral complexities or consequences of a particular event unfolding before them and for them.

How many photographers, who are obviously relying on the sale of their photographs to put food on the table, are going to turn this down on moral grounds? As Dennis says, the event happened, and was obviously done to get a certain result. The photographer is “reporting” but is also an active participant in a manipulation of the media consuming public.

It’s an interesting issue, well worth reading Dennis’ thoughts about it.

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