In the process of launching Best of Wedding Photography, we’ve had the chance to review thousands of the best wedding photographers in the world. I’ve personally looked at over 3000 wedding photography websites in the last three months, and as part of our invitation process (in the middle of that now), I’ve had the chance to trade emails with over 300 of the very best in the world.
It’s been an educational experience, and it’s given me a great feel for the landscape of the wedding photography industry. One of the most insightful aspects of this is seeing what kind of things separate the best from the rest.
The best wedding photographers are those who produce awesome, modern, artistic imagery. They combine great composition and lighting with incredible post processing to produce breath-taking imagery. But more than that, they are the ones who build distinctive, bold brands for their work that separate them from the rest. They participate in groups like the WPJA, ISPWP, Modern Photographers, Photographik, and now Best of Wedding Photography, and they use their participation in those groups to enhance their credibility and reputations among brides and prospective clients. They position themselves at the top of the market, shooting premium and destination weddings. These people shoot 30-200 weddings per year, at prices averaging between $3,000-$6,000 per year. If you multiply those numbers out, you’ll see that they really add up. For many of these photographers, it’s not uncommon to shoot destination weddings in Europe or the Caribbean for $10,000 or more. Many of these photographers share their knowledge, and add a lot to their bottom lines, by launching their own workshop series in which they’ll teach everything they know to you and a dozen others over a weekend for $850.
These are the people who don’t just scrape by as photographers, they thrive and prosper.
So how do you get there?
I’m not primarily a wedding photographer. My background is in photojournalism in Asia, and now I spend most of my time bringing photographers together for big projects like Photocrati or Best of Wedding Photography. But I have a good business mind, and exposure to the greats in wedding photography has given me a sense for exactly the steps I WOULD take if I wanted to join these photographers at the pinnacle of the industry.
I don’t plan to go that route, but rather than let the knowledge go to waste, I thought I’d go ahead and share my thoughts with any of you who think you’d like to try it. So here are the steps. I honestly believe that someone who did these with focused energy could establish themselves at among top in the field within about 2 years. The key point here is that you need to know what they know and do what they do. That means that you will need to invest in training, resources, branding and advertising. Many would-be photographers balk at such investments, but keep in mind that this is business, not a hobby. Every business requires investment – nothing ventured, nothing gained.
Canon T1i Review
Hey folks, just a quick note. Jack Neubart has just published his new, user-friendly Canon T1i Review on Photocrati. Here’s a bit of what he has to say:
“Small and compact, a good choice-if you don’t mind some compromises.
I’m not really sure that Canon knows exactly what to do with this camera. It seems simple enough, judging by weight and size, but is otherwise a complex tool with lots of oomph built in. If you’re looking to move up to a digital SLR without making a heavy investment or simply want an inexpensive and lightweight DSLR that you can tool around with on your next vacation, the Rebel T1i would be a good choice.
However, don’t buy this camera if you expect to use it extensively to shoot video-HD or otherwise, as you may be disappointed. Buy it as a still digital, and use the video capture as an adjunct feature to capture special moments when a camcorder isn’t handy….”