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Category Archives: Wedding Photography
David Bellis: Wedding in Historic Merchant Adventurers’ Hall
It was January, late afternoon, where the couple Tom and Katy were concerned about the low light and had pretty much given up on any chance of the outside shots they had wanted post ceremony. Not wanting to disappoint them, I was mulling over the options prior to the wedding with Barry, a photographer friend, when he offered to assist by holding an umbrella, opening up the possibility of getting some very nice off camera lighting. I’d never worked with an assistant before at a wedding and was intrigued by the creative options, so agreed.
This was an image that won me a Bronze Bar from The Guild of Photographers recently.
The building in the background is the historic Merchant Adventurers’ Hall, in the center of my hometown, York, which dates from 1357 and is a popular location for wedding ceremonies in the city. York is a very photogenic city generally, with many wonderful locations to photograph bride and grooms!
I positioned the couple on the left-hand third of the frame and then did a test shot for the ambient light, which at this point was fast disappearing. The ironic thing about shooting at dusk, is that if you want to capture the lighting that you see in front of you, you need to underexpose. This is because the sensor does its best to render everything it sees in front of it as if it was shot at two in the afternoon. I then used the pop up flash on my Canon 60D to trigger the Speedlite that Barry was holding, pointing into the umbrella at camera left. The pop up flash was used as a trigger only, and did not throw any light onto the scene. The Speedlite did a fantastic job of rendering Katy’s dress and didn’t need any compensation.
The image looked good straight out of the camera, but I took it a little further in Lightroom. I decided to darken down the background some more, so used the adjustment brush to reduce the exposure of pretty much everything except the couple and a patch of lawn in front of them. Then there was just a trip into Photoshop to clone out an intrusive sign that was sticking out of the lawn to their right, and that was job done.
Vital statistics: Camera: Canon 60D with 17-55mm F2.8 lens, Canon 580EX Speedlite, manual exposure, F3.5, 1/100 sec, 1250 ISO, evaluative metering.
David Bellis is a professional portrait and wedding photographer in York, UK, a historic and photogenic city.
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Website: http://www.bellisweddingphoto.com/
How to Become a Top Wedding Photographer
In the process of launching Best of Wedding Photography, we’ve had the chance to review thousands of the best wedding photographers in the world. I’ve personally looked at over 3000 wedding photography websites in the last three months, and as part of our invitation process (in the middle of that now), I’ve had the chance to trade emails with over 300 of the very best in the world.
It’s been an educational experience, and it’s given me a great feel for the landscape of the wedding photography industry. One of the most insightful aspects of this is seeing what kind of things separate the best from the rest.
The best wedding photographers are those who produce awesome, modern, artistic imagery. They combine great composition and lighting with incredible post processing to produce breath-taking imagery. But more than that, they are the ones who build distinctive, bold brands for their work that separate them from the rest. They participate in groups like the WPJA, ISPWP, Modern Photographers, Photographik, and now Best of Wedding Photography, and they use their participation in those groups to enhance their credibility and reputations among brides and prospective clients. They position themselves at the top of the market, shooting premium and destination weddings. These people shoot 30-200 weddings per year, at prices averaging between $3,000-$6,000 per year. If you multiply those numbers out, you’ll see that they really add up. For many of these photographers, it’s not uncommon to shoot destination weddings in Europe or the Caribbean for $10,000 or more. Many of these photographers share their knowledge, and add a lot to their bottom lines, by launching their own workshop series in which they’ll teach everything they know to you and a dozen others over a weekend for $850.
These are the people who don’t just scrape by as photographers, they thrive and prosper.
So how do you get there?
I’m not primarily a wedding photographer. My background is in photojournalism in Asia, and now I spend most of my time bringing photographers together for big projects like Photocrati or Best of Wedding Photography. But I have a good business mind, and exposure to the greats in wedding photography has given me a sense for exactly the steps I WOULD take if I wanted to join these photographers at the pinnacle of the industry.
I don’t plan to go that route, but rather than let the knowledge go to waste, I thought I’d go ahead and share my thoughts with any of you who think you’d like to try it. So here are the steps. I honestly believe that someone who did these with focused energy could establish themselves at among top in the field within about 2 years. The key point here is that you need to know what they know and do what they do. That means that you will need to invest in training, resources, branding and advertising. Many would-be photographers balk at such investments, but keep in mind that this is business, not a hobby. Every business requires investment – nothing ventured, nothing gained.
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