But with this accessibility comes increased competition for work. How do you get your work seen and, more importantly, published? For real money?

Accept Rejection

The first thing you must do is accept rejection. If you’re serious about turning your hobby into a career, it has to happen gradually, with the likelihood many knockbacks along the way. This happens to all self-employed content creators, especially in a field as competitive as digital photography.

Trying Stock Photography?

Selling stock photography is perhaps the easiest way in to start making money. Book publishers, magazines, advertising firms, film companies, web designers, graphic artists – they all use stock photographs to save money and time. The photographer makes a percentage of the image sold. It may be as little as 25p per photo, but the more images you have out there the more you will make. You really must be prolific as well as creative.

Among the big agencies selling stock photographs are iStockphoto, Fotolia and Dreamstime. Each one has different requirements, but generally you need a camera that takes images no smaller than 2mp. Once signed up, you can start uploading images. If any of your shots are accepted, they will become part of the site’s stock inventory. If one sells you receive a small payment. If you sign up to a few agencies and upload hundreds of good images, you can start to make a living, or at least a good supplementary income.

The best thing about this approach is the ease with which you can track the success of a picture. If your images are doing well, an agency might offer you an exclusive contract, meaning more money per image.

Do your research

You can save yourself a lot of grief and disappointment by thoroughly researching the agencies you submit to. Find out what their technical guidelines are. Take time to discover which kind of images sells the most. Read the small print so you can avoid falling afoul of trivial errors like unauthorized logos.

Find interesting subjects

Remain distinctive and avoid clichés. There’s no shortage of cats and babies on the internet, and no reason why your bundles of fur and flesh will stand out from the crowd. If it’s easy for you to capture, it’s easy for anyone – so get out there and find interesting subjects if you want to increase your chances of success.

Use your social skills

Another great thing about microstock photography is that it’s a true internet meritocracy. Traditionally, photographers had to hustle and politick, working their way into a network of contacts who would employ them, yes, for their photographic skills, but also for their social skills and likeability. Working as an online stock photographer removes all judgment except that passed down on your work.

Sujata Ghosh is a freelance writer currently working on number of projects. She loves her job, which gives her the opportunity to enjoy travelling, photography and cooking.

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1. Find your niche and start shooting in it.

Most enthusiasts shoot what they want, where there at, without any overarching logic. They produce a haphazard collection of different images. Then they try to sell the resulting images. Shoot first and then find a market. Pros do just the opposite: they know their market, and then shoot for it. They specialize, get to know buyers in their niches, and shoot deliberately and strategically to deepen their portfolio in their chosen areas. Starting tomorrow, spend some time figuring out where you want to specialize, and from now on spend your precious shooting time in those areas. Unless you live in Kansas and are determined to have your niche be Central American travel photography, it’s not that hard to build a solid portfolio. Just give yourself a highly targeted list of assignments. Do some at-home product shoots, or portrait or engagement sessions with family or friends. Assign yourself to cover at least 10 mammal species at the local zoo, or spend some time at some local wild areas. Take it seriously – learn about the animals or natural areas you’re covering. As long as your niche is something close to home, you can build a portfolio relatively quickly.

2. Develop your website.

In the digital age, you must have a website and it must be a good one. A website is your online portfolio and your most effective marketing tool. A well-designed site gives you credibility and provide a point of interaction with clients and buyers. Like a storefront, it is a place to which you can direct people, and a way for others to stumble into you while searching the web. Indeed, many people today find photographers today by doing Google searches. If you don’t have a website, you won’t even be found or considered. Beyond that, web sites provide a platform for selling prints and stock photos directly, and for offering blogs, reviews, and other important content that adds value for your potential clients. Over the next week, either develop your site yourself, or find someone to develop it for you. Read my best photography website template series for reviews of photography website templates you can use to create great sites fast.

3. Develop a list of buyers in your target market.

Once you know your niche and start developing your site, you need to begin defining your target market. Who are you shooting for? If you are selling to magazines or publishers, go to the book store and buy copies of your target magazines, and find the names of publishers in your field. Register at Photosource International, and pay for a list of buyer contacts in your niche. Go through Photographer’s Market, and list those buyers in your field. If you want to do commercial assignments, make a list of local companies in the industries in which you specialize. If you are going to do weddings, figure out what the best mediums are in your region for advertising to engaged couples. Over the next two weeks, consolidate your list of potential clients, with contact information, in one place.

4. Send out three submissions.

From your list of potential clients, choose the top three—those that are the most attractive to you but also the most likely buyers. Focus on those that offer the best fit with your work in terms of content, style, and quality. Send high quality submissions to these three buyers (I’ll post on how to do a high quality submission shortly). If you do this right, there’s a good chance you will make your first sale. If not, you will have taken the first step to building a relationship with what will be an important client for you in the future.

5. Sign up for photo buyer requests.

In addition to initiating contact with your target buyers, you should also sign up to receive image requests from photo buyers. First, when you contact Photosource International to obtain contact information for buyers in your niche, you should sign up to receive their weekly and daily buyer requests. You will need to apply and be approved to receive the daily list, with more competitive and higher paying clients. You should also go to Photographer’s Direct, and apply to receive their photo buyer requests. As with the daily list at Photosource International, you will need to submit an online link to your portfolio to be accepted.

6. Join a Stock Agency.

You know your niche and your market, have a growing portfolio, and have started marketing directly to buyers. Now it’s time to reach out and put your images on file with a stock agency. If you are really new, or don’t have a deep and coherent portfolio of images, then you can go right now to Alamy, and start the process of signing up with them. As long as your images meet minimum standards of size and quality, Alamy will provide you with a marketplace. You will learn how the stock universe works, and when your portfolio is deeper, you can take the next step. If you already have a strong image library, you may be ready to go immediately to a more specialized and competitive agency. Choose a smaller agency that closely matches your photography in content, style, and quality. I cannot overemphasize that last point – you’ll make your life much easier, get accepted, and make sales by choosing a smaller specialized agency that sells the kind of images you make. Do some online research, peruse the Photographer’s Market, and make a list of five agencies that are attractive and match your style. Find their submission guidelines, and follow them closely. For more ideas, see How to Choose a Stock Agency.

7. Start advertising for assignments.

You’ve started marketing directly to buyers, and started the process of putting your images with a stock agency. The next step is to start looking for paid assignments. If you are just starting, then start with family and friends. Let them know what you are doing, and that you are available to start shooting wedding or other important events. (Note: If you have not done weddings before, you should read and prepare thoroughly before doing one. It’s an important event, and you need to provide high quality images. See my list of recommended Wedding Photography books in the side bar.) You may want to do the first 1-2 events at low rates, or even free. Your friends are giving the opportunity to get started, and you are giving them the gift of your valuable photography time. Use the resulting images as a basis for your initial wedding / event portfolio. If you are more are more experienced, then you can develop a wedding website, and start advertising at local shops or online usin Google Adwords (see article on Google Adwords).

8. Get a local shop to display your images.

You’ve started marketing directly to photo buyers, starting working with a stock agency, and started looking for assignments. Now you can take advantage of one more avenue to sell your photos: selling prints. Start paying attention, and you’ll notice that many local shops, coffee houses, and cafes display artwork, often from local artists. (Even if your local shops don’t, talk to the owners and they might be willing to start.) Using an online print lab or your local lab, print large mounted prints of your 10 favorite images, take them with you, and ask shop owners if you can display your images.

9. Order some great photography books and learn more.

Even if you manage to read every article on my site, you will only be getting the tip of the iceberg in terms of the information available to help you make it as a photographer. Because there are so many books on the topic, and because I believe strongly in continual learning, I’ve compiled a list of what I consider to be the best books in different areas. If you are serious about making as a photographer, order some now and read them over the next month. They will provide the foundational knowledge you need to start thinking like a professional photographer. As a starting point, you can see a list of recommended books to the right in my sidebar.

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Any other thoughts for very immediate actions steps you’d recommend?

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For most photographers, the word “portfolio” evokes images of a physical “portfolio” of images, often in a big black portfolio case, that represents who you are as a photographer. There are still a few situations when such classic portfolios are relevant—for example, if you are applying for a prestigious art gallery, going to visit a high-dollar commercial photography client, or meeting in person with prospective wedding clients.

But for most photographers most of the time, the traditional “portfolio” has always been of limited value. That’s not to say most photographers don’t use portfolios. Indeed, every time a photographer sends a submission to a magazine, stock agency, or other prospective buyer—whether slides, prints, or an email with digital images—that photographer is sending a portfolio. In this case, each portfolio is different, depending on the client.

Today, however, the portfolio concept is taking on yet another connotation. In the digital era, your website is your portfolio.

A website is like a conventional portfolio in that it showcases your best work and presents an overall impression of your style and identity. Yet a website is also much more powerful. It offers an enormous range of creative design possibilities. And it is capable of reaching hundreds or thousands of people with relatively little extra work on your part. It’s also the first impression that most prospective buyers will have of your work.

Even the conventional situations above—art galleries, high-end commercial assignments, and weddings—most clients will see your website before they see anything else. Many stock agencies and buyers will now simply ask for a link to your website instead of asking for a submission of photos.

So in the digital era, the question “do you need a portfolio” is synonymous with the question “do you need a website.” And the answer is yes, absolutely. And you need to give your website — it style, the images it includes, the aura it projects — the same attention you might have given to preparing a portfolio in a bygone era. It’s the most critical step you can take to start selling photos and getting clients.

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When is the last time you updated your marketing plan?

This is of course assuming you have a marketing plan. If you do – good for you. If not – get on it. I certainly don’t want to hold myself up as a model of small business marketing. I have definitely made my share of mistakes (and will hopefully continue to do so) but I have invested a lot of effort, time and even some money into learning about what works and what doesn’t.

I’m not here to tell you what will work for you and what won’t because those will be different for each photographer. Your particular market, the type of work you do and your geographic location all come into play when determining the right mix. The point I want to make is that all successful marketing campaigns have a few things in common.

1. They are planned and executed according to a plan. Failing to plan is the biggest single error photographers when it comes to marketing.

2. They are executed as campaigns – not discreet events. I’m regularly amazed at how many photographers try a marketing technique, don’t see results and abandon it relatively quickly.

3. They are consistent with the core values of the business.

Whether you shoot commercial or retail work, people, food, or weddings – you’ve got to market yourself in order to bring in new business. As of this writing the international economy, well, sucks. Things are looking better now than they have for a while but they’re still way down.  In times like these it’s easy to pull back on marketing expenses, after all, if the money’s not coming in, you can’t put it out again. While I’m not indifferent to the plight of small business owners, and I certainly wouldn’t advise anyone to pay for and ad before their mortgage, cutting marketing budgets and efforts right now is a big mistake. Look at it this way. If you have a 10% market share of a million dollar market, you have sales of $100,000. If that market shrinks to $800,000 you need to increase your market share from 10% to 12.5% just to hold steady. That’s certainly not possible without marketing.

Writing a marketing plan is not an easy task and brining in outside professional help can be great. A marketing consultant can bring their expertise to yours and help you drill down through your business data. In the event you’re not able to afford or find a good marketing consultant there are a plethora of books and internet tutorials on writing marketing plans. Ask 100 different marketing experts how to write a marketing plan and you’ll get 100 different answers – but the basic concepts are the same.

1.  Establish your goals – these should be solid, measurable goals, ie increase sales to $350,000 or shoot 47 weddings this year.

2.  Establish a budget – usually a percentage of your monetary goal.  It will be different depending on your particular area of expertise, geographic area and your customer base. My personal marketing budget is 7 percent of intended sales for this year.

3.  Establish methods to reach your goals.  This is the meat of the plan and requires the most research. This includes the tools you’ll use as well as a schedule.

4.  Establish systems and methods to measure the effectiveness of your efforts.

I use a program on my Mac called Omni Outliner to keep track of my efforts. This program is great because I can essentially create an outline very easily add sub headings and break down larger tasks into smaller discreet tasks.  How do you eat and elephant?  One bite a time.

Of course writing the marketing plan is not enough, one must follow and execute it.  But this is the beauty of the plan. This business is usually very cyclical and inconsistent. With a well written plan and schedule in hand you can best utilize your down time.  If this week is slow get your newsletter articles written, start the printing on your postcards, shoot for your portfolio.  In other words, use your downtime and check those things off of your list.

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I do think it is worth pointing out that “salary” and “Income” to a self-employed person or to a company are not always equal (or declared), plus how many of these people who earn less than £5k a year are doing it on a part-time basis? What is the definition of “photographer”? Someone who has sold the rights to one image on Alamy could call themselves a “Pro Photographer”, someone who snaps the odd wedding could do the same.

The main reason for average low income is the same as any freelance industry where there is a low barrier to entry therefore a glut of low-experience people entering. It creates a buyers market and drives down fees for all but the top 2%.

Having said that it wouldn’t take too much for a determined person to earn a healthy side income, I have been thinking about it myself. For example a couple or few paid wedding gigs would put you over National Geo’s bottom end. The main factors are similar to any business:

• How are you different? The top photographers differentiate by style, portfolio, reputation, contacts,  clientele …
• Specialism or generic? You might not make a big splash by being “another photographer” but perhaps a real estate photography specialist would get noticed?
• How do you advertise? Word of mouth is obviously the best route, so many are in yellow pages etc already, but how do you start that word of mouth trend?
• Etc

None of these are unique to photography, you could see the same problems facing any freelancer or small business.

Technorati Tags: photography, business, income

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