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We're just relaunching in January 2012 with a new angle. DSLR Blog will be about images and their stories (we also write about other topics on Photography too). We welcome submissions from any type of photographer - from baby portraits to gut-wrentching humanitarian photography to pure art. Read our submission guidelines.
Category Archives: Photography Business
The Changing Landscape of Professional Photography
Until recently, becoming a professional photographer was a serious financial commitment, with the cost of cameras, film and development presenting a significant barrier to the dilettante. Dipping your toe in to get a bit of practice under your belt before deciding if it was the right career for you could be a very costly endeavor. Now, with the proliferation of cheap, reliable digital cameras available from high street stores like Curry’s (see their website for affordable, quality cameras) it’s easy for the amateur photographer to test the water before making a career of it. The limitless nature of digital technology, and the ease with which post-production techniques can be employed to manipulate images, has opened the door for a generation of casual snappers to consider turning pro.
But with this accessibility comes increased competition for work. How do you get your work seen and, more importantly, published? For real money? Continue reading
9 Steps to Start (or Jumpstart) Your Photography Business
If you’re an advanced enthusiast serious about making it as a pro, here are nine practical steps you can take to start the transition. These steps will help you break inertia, make your first sales, and establish a solid foundation on which to build.
1. Find your niche and start shooting in it.
Most enthusiasts shoot what they want, where there at, without any overarching logic. They produce a haphazard collection of different images. Then they try to sell the resulting images. Shoot first and then find a market. Pros do just the opposite: they know their market, and then shoot for it. They specialize, get to know buyers in their niches, and shoot deliberately and strategically to deepen their portfolio in their chosen areas. Starting tomorrow, spend some time figuring out where you want to specialize, and from now on spend your precious shooting time in those areas. Unless you live in Kansas and are determined to have your niche be Central American travel photography, it’s not that hard to build a solid portfolio. Just give yourself a highly targeted list of assignments. Do some at-home product shoots, or portrait or engagement sessions with family or friends. Assign yourself to cover at least 10 mammal species at the local zoo, or spend some time at some local wild areas. Take it seriously – learn about the animals or natural areas you’re covering. As long as your niche is something close to home, you can build a portfolio relatively quickly. Continue reading
The Top 10 Best Photography Business Blogs
Since readers of this blog are obviously interested in what makes a successful photography business, I thought I’d share what I consider to be some of the best photography business blogs on the web. Of course, the DSLRBlog Photography Business Blog would make the list, as would the business section of Photocrati’s photography blog. But since I run both of those, I can’t very well include them here, can I 
.
Outside of these, here is a list of great blogs that I regularly read and find to have the excellent information for aspiring professionals thinking about building their businesses. Continue reading
How to Price Assignments: Price High and Give Your Clients an Experience
Unlike my usual posts, this is an off-the-cuff post spurred by a recent experience with some clients. We did a shoot with a young lady, an equestrian, along with her horse. We worked hard to make it not just a photo shoot, but an experience. They loved it, and loved the photos, and never blinked about the price. In interacting with the clients afterward, I realized what a unique and special experience it was for them.
Pricing is often one of the hardest areas of the business for photographers. New photographers are sensitive about their lack of experience, afraid they don’t merit a large fee and can’t compete with more established professionals. But even for established professionals, a certain sense of guilt is common when it comes to talking price. Many professionals are almost apologetic when quoting a price, and are much to willing to come down. Continue reading
Do you need a portfolio?
Short answer: Yes, but not in the way you think.
For most photographers, the word “portfolio” evokes images of a physical “portfolio” of images, often in a big black portfolio case, that represents who you are as a photographer. There are still a few situations when such classic portfolios are relevant—for example, if you are applying for a prestigious art gallery, going to visit a high-dollar commercial photography client, or meeting in person with prospective wedding clients.
But for most photographers most of the time, the traditional “portfolio” has always been of limited value. That’s not to say most photographers don’t use portfolios. Indeed, every time a photographer sends a submission to a magazine, stock agency, or other prospective buyer—whether slides, prints, or an email with digital images—that photographer is sending a portfolio. In this case, each portfolio is different, depending on the client.
Today, however, the portfolio concept is taking on yet another connotation. In the digital era, your website is your portfolio. Continue reading
How to Become a Top Wedding Photographer
In the process of launching Best of Wedding Photography, we’ve had the chance to review thousands of the best wedding photographers in the world. I’ve personally looked at over 3000 wedding photography websites in the last three months, and as part of our invitation process (in the middle of that now), I’ve had the chance to trade emails with over 300 of the very best in the world.
It’s been an educational experience, and it’s given me a great feel for the landscape of the wedding photography industry. One of the most insightful aspects of this is seeing what kind of things separate the best from the rest.
The best wedding photographers are those who produce awesome, modern, artistic imagery. They combine great composition and lighting with incredible post processing to produce breath-taking imagery. But more than that, they are the ones who build distinctive, bold brands for their work that separate them from the rest. They participate in groups like the WPJA, ISPWP, Modern Photographers, Photographik, and now Best of Wedding Photography, and they use their participation in those groups to enhance their credibility and reputations among brides and prospective clients. They position themselves at the top of the market, shooting premium and destination weddings. These people shoot 30-200 weddings per year, at prices averaging between $3,000-$6,000 per year. If you multiply those numbers out, you’ll see that they really add up. For many of these photographers, it’s not uncommon to shoot destination weddings in Europe or the Caribbean for $10,000 or more. Many of these photographers share their knowledge, and add a lot to their bottom lines, by launching their own workshop series in which they’ll teach everything they know to you and a dozen others over a weekend for $850.
These are the people who don’t just scrape by as photographers, they thrive and prosper.
So how do you get there?
I’m not primarily a wedding photographer. My background is in photojournalism in Asia, and now I spend most of my time bringing photographers together for big projects like Photocrati or Best of Wedding Photography. But I have a good business mind, and exposure to the greats in wedding photography has given me a sense for exactly the steps I WOULD take if I wanted to join these photographers at the pinnacle of the industry.
I don’t plan to go that route, but rather than let the knowledge go to waste, I thought I’d go ahead and share my thoughts with any of you who think you’d like to try it. So here are the steps. I honestly believe that someone who did these with focused energy could establish themselves at among top in the field within about 2 years. The key point here is that you need to know what they know and do what they do. That means that you will need to invest in training, resources, branding and advertising. Many would-be photographers balk at such investments, but keep in mind that this is business, not a hobby. Every business requires investment – nothing ventured, nothing gained.
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